Since then, I have seen many other silents, including the comedies of Chaplin, epic tales, and the dark expressionism of directors like Fritz Lang. Silents are unique to me because I view them as a true test of the camera, where visuals and incredible pantomime (often alone) pull an audience into the story. The fact that these movies can still transport me to other worlds is a credit to the universal themes and motifs of these classics: The Gold Rush is still funny, just as there is something that remains deeply disturbing about The Cabinet of Dr. Caligari.
(The List 1900-1928)
Silence is Golden
- Le Voyage Dans la Lune- A Trip to the Moon (1902)
- The Birth of a Nation (1915)
- Broken Blossoms (1919)
- The Cabinet of Dr. Caligari (1920)
- Nosferatu: Eine Symphonie Des Grauens (1922)
- Battleship Potemkin (1925)
- The Gold Rush (1925)
- Greed (1925)
- The Phantom of the Opera (1925)
- Metropolis (1927)
- The Man Who Laughs (1928)
Lon Chaney was a superb actor; able to convey great emotion through his hands, posture, and every one of his 1,000 faces... both his parents were deaf, which had a tremendous influence on his film career.
ReplyDeleteWe should try to find that Man of a Thousand Faces movie, with James Cagney - I'd love that : D
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